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        <h1>tan GC个人护肤品包装设计</h1>
        <div class="pag"><em><strong>时间：</strong>2019-08-02 17:14</em><!-- <em><strong>来源：</strong><a href="http://www.sealingad.com/" target="_blank" style="padding: 0;background: #fff;margin: 0;color:#000;">西林设计</a></em> --></div>
        <p>tan GC最初是一家致力于开发长寿产品的有机服装和鞋类护理公司，并于2016年进入了有机护肤品市场。由Essen International TGC s graphic identity设计，通过简单的排版表达，通过没有多余的风格细节和色彩，建立了一个信息直接的视觉系统。这种划分的内容，并从阿库拉特单声道的安排和方向的区别。随着tan GC进入有机个人护肤品市场，他们与伦敦的Carl Nas Associates合作。</p><p><img id="e340919759ec59f6218e03409e8abf48_img_1192" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737403237772.jpg" title="1564737403237772.jpg" alt="1564737403237772.jpg" width="970" height="536" style="width: 970px; height: 536px;" border="0" vspace="0"/></p><p><br/></p><p><trans oldtip="The combination of monospaced type, an abundance of space and the absence of colour quickly communicated the effectiveness of Tangent GC’s garment and shoe care products. The clinicality of type, absence of colour and space then translated well into skincare and provided a identifiable base. The use of campaigns to introduce colour, contrast, texture and artistic expression began to expand the TGC’s visual language, playing with a juxtaposition of the aesthetic alongside the remedial. Check these out " newtip="单间隔型的结合，丰富的空间和缺乏颜色，迅速传达了切线GC的服装和鞋护理产品的有效性。类型的临床性质，没有颜色和空间，然后很好地转化为护肤品，并提供了一个可识别的基础。引入色彩、对比、质感和艺术表达的运动开始扩大TGC的视觉语言，使审美与补救并驾齐驱。看看这些"></trans><trans oldtip="The combination of monospaced type, an abundance of space and the absence of colour quickly communicated the effectiveness of Tangent GC’s garment and shoe care products. The clinicality of type, absence of colour and space then translated well into skincare and provided a identifiable base. The use of campaigns to introduce colour, contrast, texture and artistic expression began to expand the TGC’s visual language, playing with a juxtaposition of the aesthetic alongside the remedial. Check these out " newtip="单间隔型的结合，丰富的空间和缺乏颜色，迅速传达了切线GC的服装和鞋护理产品的有效性。类型的临床性质，没有颜色和空间，然后很好地转化为护肤品，并提供了一个可识别的基础。引入色彩、对比、质感和艺术表达的运动开始扩大TGC的视觉语言，使审美与补救并驾齐驱。看看这些">The combination of monospaced type, an abundance of space and the absence of colour quickly communicated the effectiveness of Tangent GC’s garment and shoe care products. The clinicality of type, absence of colour and space then translated well into skincare and provided a identifiable base. The use of campaigns to introduce colour, contrast, texture and artistic expression began to expand the TGC’s visual language, playing with a juxtaposition of the aesthetic alongside the remedial. Check these out&nbsp;</trans><a href="https://bpando.org/2016/10/17/packaging-tangent-gc-soap/" target="_blank" rel="noopener"><trans oldtip="here" newtip="这里">here</trans></a><trans oldtip=" and " newtip="和">&nbsp;and&nbsp;</trans><a href="http://bpando.org/2018/01/19/packaging-tangent-gc-hand-cream/" target="_blank" rel="noopener"><trans oldtip="here" newtip="这里">here</trans></a><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。">. This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions.</trans><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"><br/></trans></p><p><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"><br/></trans></p><p><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"></trans></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1193" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737541816473.jpg" style="width: 970px; height: 728px;" title="1564737541816473.jpg" width="970" height="728" border="0" vspace="0" alt="1564737541816473.jpg"/></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1194" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542491224.jpg" style="width: 970px; height: 728px;" title="1564737542491224.jpg" width="970" height="728" border="0" vspace="0" alt="1564737542491224.jpg"/></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1195" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542825054.jpg" style="width: 970px; height: 728px;" title="1564737542825054.jpg" width="970" height="728" border="0" vspace="0" alt="1564737542825054.jpg"/></p><p><br/></p><p><trans oldtip="As a limited edition range of 100, distributed internationally, and the collaborative nature of the packaging, places the work firmly within the campaign space. Physical products now need to migrate easily online. The special edition, compelling pinnable packaging, is folded into this necessity. The only way some may experience this is online as an image on a blog or a tile on Instagram. Although a material interaction is distant, the use of colour, the evident material implication of the surfaces, function to build an intangible value, a form of associative ornament to the blank canvas of the TGC range. Here, in the same way high fashion and streetwear now interact, collaboration serves as a multiplier. The images build awareness and interest, amplifying brand value. TGC’s visual identity, its positioning as a Swedish organic skincare brand and the surfaces of its packaging are ideal canvases for Åsa Stenerhag." newtip="由于限量版范围为100，分布在国际，和合作性质的包装，把工作的活动空间坚定。物理产品现在需要很容易地在线迁移。特别版，引人注目的针状包装，是折叠在这一必要性。一些人可能会体验到的唯一方式是在网上作为博客上的图片或Instagram上的瓷砖。虽然一种物质的交互作用是遥远的，但色彩的使用，表面明显的物质意蕴，功能来营造一种无形的价值，一种形式的联想装饰品的空白画布的TGC范围。在这里，就像现在高级时尚和街头服饰相互作用一样，协作也是一个乘数。这些形象塑造了人们的意识和兴趣，放大了品牌价值。TGC的视觉特性，其作为瑞典有机护肤品品牌的定位和包装表面是理想的油画莎莎斯坦纳哈格。">As a limited edition range of 100, distributed internationally, and the collaborative nature of the packaging, places the work firmly within the campaign space. Physical products now need to migrate easily online. The special edition, compelling pinnable packaging, is folded into this necessity. The only way some may experience this is online as an image on a blog or a tile on Instagram. Although a material interaction is distant, the use of colour, the evident material implication of the surfaces, function to build an intangible value, a form of associative ornament to the blank canvas of the TGC range. Here, in the same way high fashion and streetwear now interact, collaboration serves as a multiplier. The images build awareness and interest, amplifying brand value. TGC’s visual identity, its positioning as a Swedish organic skincare brand and the surfaces of its packaging are ideal canvases for Åsa Stenerhag.</trans></p><p><trans oldtip="Design: " newtip="设计：">Design:&nbsp;</trans><a href="http://carlnas.com/" target="_blank" rel="noopener"><trans oldtip="Carl Nas Associates" newtip="卡尔·纳斯协会"></trans></a><trans oldtip="Carl Nas Associates" newtip="卡尔·纳斯协会">Carl Nas Associates</trans><a href="http://carlnas.com/" target="_blank" rel="noopener"><trans oldtip="Carl Nas Associates" newtip="卡尔·纳斯协会"></trans></a><trans oldtip=". Collaborating Artist: " newtip="..合作艺术家：">. Collaborating Artist:&nbsp;</trans><a href="http://www.stenerhag.com/" target="_blank" rel="noopener"><trans oldtip="Åsa Stenerhag" newtip="SA Stenerhag"></trans></a><trans oldtip="Åsa Stenerhag" newtip="SA Stenerhag">Åsa Stenerhag</trans><a href="http://www.stenerhag.com/" target="_blank" rel="noopener"><trans oldtip="Åsa Stenerhag" newtip="SA Stenerhag"></trans></a><trans oldtip=". Opinion: " newtip="..意见：">. Opinion:&nbsp;</trans><a href="http://www.richardbaird.co.uk/" target="_blank" rel="noopener"><trans oldtip="Richard Baird" newtip="理查德·贝尔德"></trans></a><trans oldtip="Richard Baird" newtip="理查德·贝尔德">Richard Baird</trans><a href="http://www.richardbaird.co.uk/" target="_blank" rel="noopener"><trans oldtip="Richard Baird" newtip="理查德·贝尔德"></trans></a><trans oldtip=". Fonts Used: " newtip="..使用的字体：">. Fonts Used:&nbsp;</trans><a href="https://lineto.com/The+Fonts/Font+Categories/Text+Fonts/Akkurat+Mono/" target="_blank" rel="noopener"><trans oldtip="Akkurat Mono." newtip="阿克库拉·莫诺。"></trans></a><trans oldtip="Akkurat Mono." newtip="阿克库拉·莫诺。">Akkurat Mono.</trans><a href="https://lineto.com/The+Fonts/Font+Categories/Text+Fonts/Akkurat+Mono/" target="_blank" rel="noopener"><trans oldtip="Akkurat Mono." newtip="阿克库拉·莫诺。"></trans></a></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1196" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542951551.jpg" style="width: 970px; height: 647px;" title="1564737542951551.jpg" width="970" height="647" border="0" vspace="0" alt="1564737542951551.jpg"/></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1197" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542799943.jpg" style="width: 970px; height: 647px;" title="1564737542799943.jpg" width="970" height="647" border="0" vspace="0" alt="1564737542799943.jpg"/></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1198" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542677618.jpg" style="width: 970px; height: 647px;" title="1564737542677618.jpg" width="970" height="647" border="0" vspace="0" alt="1564737542677618.jpg"/></p><p><img id="e340919759ec59f6218e03409e8abf48_img_1199" src="http://www.sealingad.com/uploadfile/ueditor/image/20190802/1564737542801394.jpg" style="width: 970px; height: 647px;" title="1564737542801394.jpg" width="970" height="647" border="0" vspace="0" alt="1564737542801394.jpg"/></p><p><br/></p><p><span style="font-family: freight-text-pro; font-size: 17px; background-color: rgb(255, 255, 255);">如果你喜欢这个，那么你也可能喜欢：</span></p><p><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"><br/></trans><br/></p><p><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"><br/></trans><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"></trans><trans oldtip=". This is developed further in a collaboration with Åsa Stenerhag whose work is characterised by tactile surfaces, colour blocking and low contrast graphic expressions." newtip="..这是在与SA Stenerhag的合作下进一步发展的，其工作的特点是触觉表面、颜色阻塞和低对比度图形表达。"></trans></p>    </div>
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